Movie Review – ‘The G’ subverts “gramma” for “gangsta”
In the thriller The G (2024), forces massed against her learn to never take appearances…
Movie Review – ‘New Life’ is pared down indie gem of apocalyptic outbreaks
In director John Rosman’s thriller, New Life (2023), the existences of two women are intertwined…
Movie Review – ‘In A Violent Nature” is too familiar to be innovative
In A Violent Nature (2024) has ambitions of being the auteur’s slasher film. Writer-director Chris…
Movie Review – ‘I Saw the TV Glow’ is a dim aura of the Imagined Other
A24 is known for releasing true underground films that would never otherwise see wide distribution,…
Movie Review – ‘Abigail’ brings exciting bite to a backdoor reboot
Before folks complain that there are spoilers in the trailer of Abigail (2024), let it…
Movie Review – ‘The Ministry of Ungentlemanly Warfare’ highlights birth of secret spec ops with flash and bang
It’s hard to be tired of a Guy Ritchie film, even one based on the…
Movie Review – ‘Night Shift’ carves new life into tired tropes
The China Brothers present to the discerning public, Night Shift (2023) which despite all appearances…
Movie Review – ‘Sting’ brings the crawlies
Despite the opening scenes, this really isn’t a cosmic bug movie, but Sting (2024) is…
Movie Review – ‘The First Omen’ deftly sidesteps canon for a better mythology
Both a prequel and (possible) reboot, Arkasha Stevenson’s The First Omen (2024) reintroduces the world…
Movie Review – ‘Monkey Man’ takes thrilling South Asian myth and action mainstream
It would be easy to call Monkey Man (2024) the Indian John Wick, but that…