Movie Review – ‘Never Let Go’ might need a stronger grip for some
Never Let Go (2024) is a cross-genre thriller that never quite settles in its identity,…
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Movie Review – ‘The G’ subverts “gramma” for “gangsta”
In the thriller The G (2024), forces massed against her learn to never take appearances…
Movie Review – ‘New Life’ is pared down indie gem of apocalyptic outbreaks
In director John Rosman’s thriller, New Life (2023), the existences of two women are intertwined…
Movie Review – ‘Run!’ is more of a painful limp
Run! (2024) won’t be going on anyone’s best of 2024 lists, but maybe not for…
Movie Review – ‘Insane Like Me’ has Eric Roberts in it
Insane Like Me (2024) is equal parts Tales from the Crypt Presents: Bordello of Blood…
Movie Review – ‘In A Violent Nature” is too familiar to be innovative
In A Violent Nature (2024) has ambitions of being the auteur’s slasher film. Writer-director Chris…
Movie Review – ‘I Saw the TV Glow’ is a dim aura of the Imagined Other
A24 is known for releasing true underground films that would never otherwise see wide distribution,…
Movie Review – ‘Kingdom of the Planet of the Apes’ is a spectacle even the uninitiated could enjoy
Admittedly, I’ve never seen any of the Planet of the Apes movies. Not any of…
Movie Review – ‘Abigail’ brings exciting bite to a backdoor reboot
Before folks complain that there are spoilers in the trailer of Abigail (2024), let it…
Movie Review – ‘The Ministry of Ungentlemanly Warfare’ highlights birth of secret spec ops with flash and bang
It’s hard to be tired of a Guy Ritchie film, even one based on the…